{"id":10414,"date":"2023-08-17T09:58:52","date_gmt":"2023-08-17T09:58:52","guid":{"rendered":"https:\/\/carolrobinson.net\/?page_id=10414\/"},"modified":"2024-01-19T13:31:03","modified_gmt":"2024-01-19T13:31:03","slug":"robinson-2","status":"publish","type":"page","link":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/","title":{"rendered":"Robinson – The weather pieces"},"content":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb10391″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text]<\/p>\n

THE WEATHER PIECES<\/strong><\/h2>\n

CAROL ROBINSON<\/p>\n

 <\/p>\n

Les si doux redoux <\/em><\/strong>\u00a0for basset horn and mobile stereo system (24:02)
\nBlack on Green<\/em><\/strong> \u00a0for double bass and tri-phonic electronics (14:46)
\nNacarat<\/em><\/strong> \u00a0for electric guitar and quadriphonic electronics (30:05)<\/p>\n

 <\/p>\n

Carol Robinson – \u00a0basset horn
\nCharlotte Testu – double bass
\nSerge Teyssot-Gay – electric guitar<\/p>\n

Charles Bascou & Carl Faia – computer music design
\nChristophe Hauser – sound<\/p>\n

 <\/p>\n

MODE RECORDS 333<\/p>\n

https:\/\/moderecords.com<\/a>
\nhttps:\/\/moderecords.bandcamp.com\/album\/the-weather-pieces-mode-33<\/a><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbpurple\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Reviews<\/strong><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Guillaume Kosmicki<\/strong>
\n<\/strong><\/em>Hemisph\u00e8re Son<\/a>\u00a0\u00a0 July 25, 2023<\/p>\n

\n
\n

de l\u2019univers de la contemplation, quasi-m\u00e9ditative, jusqu\u2019au c\u0153ur du chaos<\/i><\/strong><\/i><\/h4>\n<\/div>\n
\n

 <\/p>\n<\/div>\n

\n

M\u00e9t\u00e9o ext\u00e9rieure, m\u00e9t\u00e9o auditive traduite en ondes sonores, voire m\u00e9t\u00e9o des tr\u00e9fonds de l\u2019\u00e2me humaine, les\u00a0Weather Pieces\u00a0<\/em>de Carol Robinson sont un voyage initiatique. Ces trois pi\u00e8ces explorent nos sensations et questionnent la force vitale du monde aussi bien que le danger et la mort inh\u00e9rente. Elles font \u00e9voluer l\u2019auditeur de l\u2019univers de la contemplation, quasi-m\u00e9ditative, jusqu\u2019au c\u0153ur du chaos.<\/p>\n<\/div>\n

\n

 <\/p>\n<\/div>\n

\n

from the world of contemplation, almost meditative, to the heart of chaos<\/span><\/b><\/em><\/p>\n<\/div>\n

\n

\u00a0<\/span><\/p>\n<\/div>\n

\n

(Weather outside, aural weather translated into sound waves, even weather from the depths of the human soul, Carol Robinson\u2019s\u00a0<\/span>Weather Pieces<\/em>\u00a0<\/span>are a voyage of initiation. These three pieces explore our sensations, questioning the vital force of the world as well as its inherent danger and death. They take the listener from the world of contemplation, almost meditative, to the heart of chaos.)<\/span><\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbpurple\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Peter Margasak
\n<\/strong>Bandcamp Daily<\/a> \u00a0 August 7, 2023<\/p>\n

The Best Contemporary Classical on Bandcamp: July 2023<\/strong><\/p>\n

\n

These works are all built around climatological phenomena as expressed through the interactions of an instrumentalist and variable electronic tones reproduced for piece-specific loudspeaker arrays, with each performer occasionally reciting poetic phrases mirroring the imagery driving the piece.<\/span><\/p>\n

(Ces oeuvres sont toutes construites autour de ph\u00e9nom\u00e8nes climatologiques exprim\u00e9s \u00e0 travers les interactions d’un instrumentiste et de sons \u00e9lectroniques variables reproduites pour des dispositifs de haut-parleurs sp\u00e9cifiques \u00e0 chaque pi\u00e8ce, avec chaque interpr\u00e8te r\u00e9citant occasionnellement des phrases po\u00e9tiques refl\u00e9tant l’imagerie animant la pi\u00e8ce.)<\/span><\/p>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbviolet\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Franck Mallet<\/strong><\/p>\n

Musikzen<\/a> \u00a0\u00a0\u00a0\u00a0\u00a0November 7, 2023<\/strong><\/p>\n

Une carte postale climatique en trois temps<\/strong><\/p>\n

Associ\u00e9 \u00e0 la contrebasse de Charlotte Testu et \u00e0 la guitare de Serge Teyssot-Gay, son nouvel opus The Weather<\/strong> Pieces<\/em> tisse de nouveau des liens entre \u00e9lectro, timbre instrumental et espace acoustique. Un triptyque qui combine \u00e0 la guitare survolt\u00e9e et bien (trop ?) typ\u00e9e dans son proc\u00e9d\u00e9 de saturation de Nacarat <\/em>le ciel orageux de Black on Green <\/em>(ing\u00e9nieux m\u00e9lange de paroles intimes et de cordes vibrionnantes) et le statisme c\u00e9leste des Si doux <\/em>redoux <\/em>– o\u00f9 la compositrice et interpr\u00e8te au cor de basset entre en m\u00e9ditation avec une douceur infinie.<\/p>\n

A climatic postcard in three parts<\/strong><\/p>\n

(Together with the double bass of Charlotte Testu and the guitar of Serge Teyssot-Gay, her new opus The Weather Pieces<\/em><\/strong> once again weaves links between electronics, instrumental timbre and acoustic space. A triptych which combines the supercharged (too?) guitar in its saturation process of Nacarat,<\/em> the stormy sky of Black on Green<\/em> (ingenious mixture of intimate lyrics and vibrating strings) and the celestial stasis of Si Doux Redoux<\/em> – where the composer \/ performer on the basset horn enters into meditation with infinite gentleness.)<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=\u00a0\u00bbviolet\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Mich\u00e8le Tosi<\/b><\/p>\n

Resmusica<\/a> \u00a0 \u00a0Novembre 4, 2023<\/strong><\/p>\n

Au gr\u00e9 des ph\u00e9nom\u00e8nes m\u00e9t\u00e9orologiques, entre menaces et perturbations, temp\u00eates et embellies,<\/strong>The<\/em><\/strong>Weather Pieces<\/em><\/strong>, le nouveau CD monographique de la compositrice et performeuse <\/strong>Carol Robinson <\/strong>estompent les fronti\u00e8res entre le dehors et le dedans. [\u2026] \u00a0<\/strong>incandescence du flux sonore et violence des explosions, les riffs \u00e9lectrifi\u00e9s du rocker et performer Serge Teyssot-Gay se m\u00e9langent aux textures \u00e9lectroniques complexes dans une intensit\u00e9 qui flirte avec la saturation. Le musicien ajoute ses mots, \u00e9num\u00e9rant des couleurs comme s\u2019il vivait une exp\u00e9rience synesth\u00e9sique au sommet de la transe. L\u2019\u00e9nergie retombe au mitan de l\u2019\u0153uvre, ouvrant l\u2019espace de r\u00e9sonance o\u00f9 s\u2019inscrit la guitare \u00e9lectrique et la voix de l\u2019interpr\u00e8te jusqu\u2019\u00e0 la marge du silence\u2026<\/p>\n

(Related to weather phenomena, between dangers and disruptions, storms and lulls, The Weather Pieces<\/em>, the new monographic CD by composer \/ performer Carol Robinson blurs the boundaries between the outside and the inside<\/strong>. [\u2026] incandescence of the sound flow and violence of the explosions, the electrified riffs of rocker and performer Serge Teyssot-Gay mix with complex electronic textures in an intensity that flirts with saturation. The musician adds his words, listing colors as if he were having a synesthetic experience at the peak of trance. The energy diminishes in the middle of the work, opening the resonant space where the electric guitar and the performer\u2019s voice merge with the margins of silence…)<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb10391″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text] THE WEATHER PIECES CAROL ROBINSON   Les si doux redoux…<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1355,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10414","page","type-page","status-publish","hentry"],"yoast_head":"\nRobinson - The weather pieces - Carol Robinson<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Robinson - The weather pieces - Carol Robinson\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb10391″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text] THE WEATHER PIECES CAROL ROBINSON   Les si doux redoux...\" \/>\n<meta property=\"og:url\" content=\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Carol Robinson\" \/>\n<meta property=\"article:modified_time\" content=\"2024-01-19T13:31:03+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/\",\"url\":\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/\",\"name\":\"Robinson - The weather pieces - Carol Robinson\",\"isPartOf\":{\"@id\":\"http:\/\/carolrobinson.net\/fr\/#website\"},\"datePublished\":\"2023-08-17T09:58:52+00:00\",\"dateModified\":\"2024-01-19T13:31:03+00:00\",\"breadcrumb\":{\"@id\":\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"http:\/\/carolrobinson.net\/fr\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"recordings\",\"item\":\"http:\/\/carolrobinson.net\/fr\/recordings\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Robinson – The weather pieces\"}]},{\"@type\":\"WebSite\",\"@id\":\"http:\/\/carolrobinson.net\/fr\/#website\",\"url\":\"http:\/\/carolrobinson.net\/fr\/\",\"name\":\"Carol Robinson\",\"description\":\"composer & clarinetist\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"http:\/\/carolrobinson.net\/fr\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Robinson - The weather pieces - Carol Robinson","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/","og_locale":"fr_FR","og_type":"article","og_title":"Robinson - The weather pieces - Carol Robinson","og_description":"[vc_row][vc_column width=\u00a0\u00bb1\/2″][vc_single_image image=\u00a0\u00bb10391″ img_size=\u00a0\u00bbfull\u00a0\u00bb][\/vc_column][vc_column width=\u00a0\u00bb1\/2″][vc_column_text] THE WEATHER PIECES CAROL ROBINSON   Les si doux redoux...","og_url":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/","og_site_name":"Carol Robinson","article_modified_time":"2024-01-19T13:31:03+00:00","twitter_card":"summary_large_image","twitter_misc":{"Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/","url":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/","name":"Robinson - The weather pieces - Carol Robinson","isPartOf":{"@id":"http:\/\/carolrobinson.net\/fr\/#website"},"datePublished":"2023-08-17T09:58:52+00:00","dateModified":"2024-01-19T13:31:03+00:00","breadcrumb":{"@id":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/"]}]},{"@type":"BreadcrumbList","@id":"http:\/\/carolrobinson.net\/fr\/recordings\/robinson-2\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"http:\/\/carolrobinson.net\/fr\/"},{"@type":"ListItem","position":2,"name":"recordings","item":"http:\/\/carolrobinson.net\/fr\/recordings\/"},{"@type":"ListItem","position":3,"name":"Robinson – The weather pieces"}]},{"@type":"WebSite","@id":"http:\/\/carolrobinson.net\/fr\/#website","url":"http:\/\/carolrobinson.net\/fr\/","name":"Carol Robinson","description":"composer & clarinetist","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"http:\/\/carolrobinson.net\/fr\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"}]}},"_links":{"self":[{"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/pages\/10414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/comments?post=10414"}],"version-history":[{"count":26,"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/pages\/10414\/revisions"}],"predecessor-version":[{"id":10646,"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/pages\/10414\/revisions\/10646"}],"up":[{"embeddable":true,"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/pages\/1355"}],"wp:attachment":[{"href":"http:\/\/carolrobinson.net\/fr\/wp-json\/wp\/v2\/media?parent=10414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}