The first covid lockdown seemed like an incredibly uncreative time. Aside from improvising, I only wanted to play music by Telemann. Months later, I realized that something lovely had emerged from that suspended period, namely three pieces for bass clarinet with live electronics and electric guitar. Effluves (d’avril), Dédales (d’intérieur), Heurts (et perils). Thanks to the Musique Action Festival in Vandoeuvres-les-Nancy, Serge Teyssot-Gay and I were able to premiere the pieces in September.